Choosenick. Notes and observations on service design, as well as other interesting things/thinking. By Nick Marsh.



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Service Design Thinks 3 - Service Design from Scratch

The next Service Design Thinks is here! We've had fantastic feedback and support for the previous events, and I'm really excited about this event, which will be all about 'service design from scratch'.



Getting new services off the ground, as startups or as new offerings within existing organisations is a huge part of service design practice, and we've got a range of speakers with lots of experience of doing just that.

As with the previous events, we're trying to expand perspectives on what constitutes service design by bringing in voices from outside the design world. Of course we're not excluding design-led service designers (Sophia and Katie are flying the design-led flag this time), but we are trying to push everyone's understanding of how services are designed by all manner of people, in all manner of ways.

In addition, we're changing the format a bit this time - hopefully we'll have a fun case study from a local service entrepreneur, and we plan to do the Q&A session more like a panel at the end of the event, in order to cross pollinate the ideas and get the conversation going between presenters.

Tickets are available from the 10th on the eventbrite page, I hope to see you there!

Below is the text that went out to our email subscribers yesterday.

----------------------

Please join us for three talks and one big conversation exploring what it takes to get new services going from scratch. Our diverse panel of speakers will share their experiences of founding, funding, managing, growing and designing service organisations and teams.

They’ll explore questions like:

  • What makes a new service business attractive to investors?
  • What kind of people, processes and propositions make a new service more likely to succeed?
  • What does it take to grow a new offering inside an existing service organisation?
  • What can’t you plan for?

We'll hear from:

james3
the entrepreneur Dr James Munro, Patient Opinion
This is our NHS. Let’s make it better: Dr Munro will share his story of growing a social enterprise from scratch, and outline the lessons that all service designers can learn from Patient Opinion’s experiences.

zaeem3
the investor Zaeem Maqsood, First Capital
You’re funded! Zaeem will share his unique experiences of designing venture capital investment services, and explore what makes a startup service investable.

sophia-katie
the intrapreneurs Sophia Parker and Katie Harris, The Resolution Foundation and Esro
Innovating social innovation: Sophia and Katie will share their story of starting up The Social Innovation Lab for Kent with Engine Service Design and Kent County Council

The fantastic Sense Loft venue is kindly provided by Sense Worldwide and drinks will be provided from the lovely people at Radarstation

Entry is free, but you must have a ticket. Tickets are available from the Eventbrite page from noon on the 10th of March. Hope to see you there!

March 6th, 2010 / Tags: servicedesign, designthinking, event / Trackback / Comments

A brief guide to Service Design with Paul Thurston

An abridged version of the ‘Brief Guide to Service Design’ presentation that I gave with Paul Thurston from Thinkpublic is now online. This version is focused on connecting service design practice with UX practice (it was created for the guys at UX Brighton).

If you run an event and would like to discuss how a presentation similar to ‘A Brief Guide To Service Design’ could be tailored to your audience please get in touch.

March 6th, 2010 / Tags: presentation, servicedesign / Trackback / Comments

Servicedesigning.org update - A month of service design events!

As some of you may know, this year we launched a revamped servicedesigning.org website to collect together the various and varied global service design drinks, thinks, talks and other events that have sprung up around the world, in part inspired by the original Service Design Christmas Drinks here in London two years ago.

Interest in putting on service design events around the world has grown and grown (we're adding a city a week at the moment), which is great news for all of us as it means more and more people are interested in talking about service design, which means they must be interested in doing more service design - which hopefully means better services for everyone. Which is good.

As a case in point, in the second half of march, if you have very deep pockets, you could go to a service design event almost every other day!

SDing_1

So, if you are in Sydney, Amsterdam, Cologne, London or San Francisco in March, and you're interested in meeting up with other people interested in exploring and understanding the role that design can play in improving services and service experiences, get on the site, and get in touch!
March 6th, 2010 / Tags: servicedesign, event / Trackback / Comments

Experience innovation at the movies: Five things cinema brands could do to make watching films better and their customers happier


Image from Phill.d on Flickr

Bad experiences really irritate me, and they get me itching to make them better (this is called design!) For the past few years, every time I've been to the cinema I've been disappointed with the experience - I've seen some great films, sure - but all the other stuff round the edge of the film, i.e the experience of actually going to the cinema, has been poor.

Why is going to the cinema such a poor experience, and why does the cinema model have such a poor recent track record of innovation?

I love going to the cinema. So do lots of other people. Its a fun experience, and the cinema industry offers a variety of different services and offerings for different film fans - but it could be so much better!

Here's some ideas I've had swirling around my head about how to make the cinema better - if anyone out there wants to commission me to make some more sense of them and then do something about it, I'm listening!

A lot of these are business model innovations, not technical solutions, and they'd be easy to prototype, and easier still to gather some customer insight into their desirability. I'm sure that that the main challenge to innovation in this area is all the legal contracts and deals between movie studios and cinema brands, but come on guys - you've got to step up and be a bit more awesome, and stop being so last century.

1. Create variable prices for different films depending on how popular they are.


This is so obvious, I don't know why someone hasn't given it a go. It could make more money for cinemas, and allow less popular films to be seen more regularly.

Sure, I see the logic behind a simple, flat pricing structure, but every other type of media and entertainment experience (and lots of other stuff involving tickets) is variably priced to match the popularity and scarcity of the media.

At the movies, this could still be really simple - tickets for opening weeks for block busters cost more, and prices go down over time. Cinemas could take a punt on showing less popular, older films and classics, but charge more. They could have off-peak prices during the day, and charge a premium for Saturday nights.

If cinemas tied this into the idea below about engaging their customers in more depth, its easy to imagine a crowd sourced part of the cinema programme that film fans vote on and commit to buying slightly more expensive tickets for if enough people also want to watch the film too. There's so many classic films I'd love to see on the big screen. Die Hard. Short Cuts. Last of the Mohicans. Rear Window. A full season of The Wire over a whole weekend. That would be awesome.

2. Make it ad-supported


These days, when I go to a big commercial cinema complex the one thing that really, really pisses me off is sitting through 15-20 adverts - i.e 30 minutes worth before getting two trailers. I'm not against the idea of advertising (although I don't generally like ads), but I am totally, utterly against the idea of paid media that contains ads! That's a rubbish, rubbish experience.

When I was a kid, they used to maybe have one or two ads before lots of trailers. Things have changed a lot since then (for one thing, no intervals and ice cream ladies - I'd defiantly bring them back) and nowadays I expect ads to either pay for my media/experiences, or, well, not be there.

Why don't cinema's offer two tiers of pricing? A cheaper ticket (or even a free one) that means you have to sit through 30 minutes of ads, and a more expensive one that has a different time on it that means you don't. This would mean allocated seating, but that's hardly rocket science is it.

3. Make it multi channel


Every other media supplier/provider/creator and so on has embraced the multi channel world - except the cinema. Why!? Some really obvious stuff here.

Why don't cinemas give you a token/code to watch the film online when you get home? You're probably not going to watch it at the cinema again. In fact, why don't cinema brands offer online streaming of films!? Its such a natural extension of their brands, and watching at home is not the same as going to the cinema, nor is it in competition - its a different film related experience, and cinemas should get in the living rooms of film fans. I reckon they could use this to get more people to go to the cinema to be honest.

4. (Really) engage your audience


So this leads to the next area that cinema brands are bad, bad, bad at! Actually getting involved with film fans. Its bonkers! Film fans love films, but of the major UK cinema brands it's only really Odeon that's ever tried to get 'filmy' with its brand, and that hasn't been very successful.

Places like the drafthouse, the chapter, the showroom and all sorts of independent cinemas do get more stuck in with their clientele, but there's surely a much bigger opportunity to do this at an international level.

Generally speaking, the movie studios and cinema chains are just rubbish and brand management beyond the movies themselves. Why the hell is Apple the top hit when I Google movie trailers!. Why does MGM's website suck so hard! Sorry to pick on you MGM, but the best you can do is ask me to sign up to a newsletter and send me off to iTunes, Hulu and Amazon. Honestly, this is poor!

4.1 Let them choose what's on!


If cinemas really got stuck into engaging their local audiences I'm sure they could quite literally get them involved in programming what films are shown, and when. How hard would it be to run, alongside the mainstream releases, a range of classic films selected by the audience? You could easily engage audiences online, and in the actual cinemas. This would build loyalty, create relationships and enable more people to see more great films! What's not to like.

5. Extend cinema brands to be about film experiences, not sitting in a cinema


Ultimately, cinema brands need to step up and start being more about films, film lovers and the experience of watching films together, and less about running an out of town retail operation with a license to show movies for a few weeks before they are available online, built on a business model that relies on ramming ads down your customers throats.

They need to focus on the really great things about watching films at the cinema - it's a special, real space with a bloody great big screen, with great sound, that you can go to with other people, where you can really get engrossed in a great film that you can't or won't see elsewhere.

What do you think? Would these ideas help make the cinema experience better? How would you improve the experience of watching films with your friends? Shoot some answers in the comments or on Twitter.
February 27th, 2010 / Trackback / Comments

A brilliant history of the world through design

I'm really, really, enjoying the current BBC podcast series, A History of the World in 100 Objects. It's presented by Neil MacGregor, Director of the British Museum, and features a great supporting cast of enthusiastic specialists. I can't recommend it enough - go and subscribe today!

Essentially, the programme is an ambitious (but accessible) attempt to tell the history of the world through design. As they say "The project focuses on the things we have made, from flint to mobile phone." Its so refreshing to have a narrative of this scale told through stuff - in contrast to the standard way of exploring the sweep of history through stories of who killed who and which man was in charge when.

The objects selected are fascinating in their own right, but for me its the way MacGregor connects the everyday nature of the objects with wider themes that really sets my spine tingling. His immense, polymathematical enthusiasm and boyish wonder is infectious. The series, and the man, reminds me a lot of the scientist and broadcaster J Bronowski and his awesome (in the old sense of the word) series The Ascent of Man (also a must watch!).

The 100 objects format works brilliantly as a podcast - 100 accessible 12 minute chunks updated every day. If you're interested in design, and the relationship between design, designing and being human, subscribe! Inspiring, fun, accessible - brilliant!
February 3rd, 2010 / Trackback / Comments

London Service Design Drinks + Thinks - What's in store for 2010?

I just sent out an email to all the members of the London Service Design Drinks + Thinks mailing list. Here's more or less what it said...

Firstly, thanks for a great 2009 of (global) service design drinks and thinks


A great big thank you to everyone who has come down to the Service Design Drinks and Thinks events that have been held in London over the past year and a half or so. We've really enjoyed all the conversations and connections that we've had and made as a result, and we hope you have too.

The big news for us last year was that the Service Design Drinks concept has now gone global. There are now service design drinks, talks, reading groups and more in Amsterdam, Dublin, London, Sydney, San Francisco and Sao Paulo. If anyone is, or knows anyone who is, planning service design drinks-esque events in other cities, please encourage them to get in touch_ so they can add their cities to the http://www.servicedesigning.org site.

What's in store for 2010? More regular drinking, and even more thinking of course!


The main negative feedback we've had about the drinks events over the past year has been about their slightly random timing. So, we're going to change that for 2010, From now on, we'll have a service design drinks night once a month, every month, on the last Friday of the month.

Next London Service Design Drinks - January 29th, at the Bunch of Grapes, near London Bridge.


We've found a new pub to test out - The Bunch of Grapes. It's a nice old boozer, with an upstairs room that doesn’t play music which should make it good for all those service design conversations. We’ll meet upstairs, and have a sign. Sorry for the late notice on this one, but going forward, with our new regular dates, there's no excuses!

If you would like to come to this event, or any of the next events, please sign up on the eventbrite page (not compulsory of course, but useful for letting people kow who's coming and who to corner). We'll be publishing photos and so on on the main servicedesigning.org pages throughout the year.

If this venue works well, we’ll stick with it for a bit, but if its too full or people don’t like the vibes we can move it. Let us know on the night what you think.

Next London Service Design Thinks - Service Design from Scratch


We're putting together our first Service Design Thinks event of 2010 at the moment. The theme will be 'service design from scratch', and we're hoping to get talks from entrepreneurs who've founded sucessful service organisations, investors in interesting service businesses and some pioneers of service design practice. We're shooting for a mid March date, but we'll release all the details once we've actually sorted it out. The aim is to have four Service Design Thinks events this year.

Here's to 2010


We're really excited about the continued growth of the service design community here in London, and around the world. We hope that these events continue to inspire and provoke conversations and critical reflection about the role and scope of design, and design-led approaches in improving our understanding and experience of service.

It's brilliant fun to be part of such and exciting and blossoming new community of practice. 2010 will bring new service design studios, projects and people to London, and we can't wait to find out more about them all!

Hope to see you on the 29th to continue the conversation!
January 23rd, 2010 / Trackback / Comments

Front book vs back book pricing: The service marketing conundrum and what it means for service designers

I'm currently working on a very exciting and complex project to deliver a suite of new digital experiences for customers of one of the UK's biggest media companies. The programme of work is very detailed and hands on, something I'm really enjoying (and one of the reasons I took the job with EMC Consulting), and it throws up new challenges every day.

Last week a particular issue that we're grappling with caught my attention that has big implications for service design - the conundrum of 'front book' vs 'back book' pricing.


Above: A classic front book offer - who'd have ever thought they'd give 'em away!

This is a great example for illustrating the differences between designing for service-centric organisations as compared to designing for product-centric organisations, and it fits nicely with the insight (that I attribute to my old boss Joe Heapy that service design is really an organisational challenge, not an aesthetic one.

In this post I'm going to:

  • explain a bit about front book and back book pricing;
  • explain why it should be of interest to service designers;
  • outline the specific challenge that we have as user experience designers on this project, and;
  • conclude with some thoughts on how to try and avoid making front book and back book price differences impact on the customer experience.

As always, I very much welcome your comments here and on twitter.

What is front book vs back book?


Front book vs back book prices is a very simple concept, but one that leads to lots of complexity. Essentially, front book prices are the prices of services available to new customers, and back book prices are all the prices that were previously available to customers, stretching back over time.

The front book is very simple - its just a list of the current prices. The back book, however, can be huge and complicated - although it is still just a list. It stretches back in time over the entire period in which the service has been offered, and contains a list of every offer, bundle, package and price that every customer has signed up to. Keeping up to date back books is absolutely vital where customers sign a contract, but it is still important when customers by products and services 'off the shelf' as they may still want support later down the line.


Above: A simple product portfolio...

As a rule of thumb, in a competitive market, you would expect front book prices to slowly go down over time (or to incorporate more features, extras, auxiliary services and so on). This means that, and I'm generalising massively here, existing customers of a service are generally paying more than new customers for the same benefits that the service provides them.

A good example of this that most people will be familiar are mobile phone contracts - every time customers get a new contract in the UK (which has a very competitive mobile market) they expect more minutes, more texts, and a better handset than they had 12 months ago, for less money.
Above: ...no even the milkman has these service design challenges these days

Why does it matter to service designers?


The difference between what new customers pay and what old customers pay doesn't really matter if you are selling services as if they were products 'off the shelf' - in other words if you are just trying to get customers to buy once.

If you take the attitude that once the customer has taken the product home, or signed on the line for the 12 month contract, you don't want to have anything to do with them again then you're pretty much free to change and manipulate prices as much as you want to maximise sales, as all your customers care about is what they are paying for the product at the point that they buy it.

However, this attitude towards the customer falls apart when you're trying to sell and provide products that are consumed over time and involve repeated contact with the customer - i.e where you want to build a relationship with the customer.

In their article 'reinventing mortgages' Chris Downs and Ben Reason of service design consultancy live|work explain how this sales oriented, product mindset just doesn't create long term value for financial service organisations:

"Banks focus relentlessly on winning new customers with the marketing strategies of soap and beer companies. We are promised that we can take a financial product home today. Worse, we are bribed with cash-back offers and gifts. These discounts and offers mean that the banks have to make their money by putting the rates up later.

Savvy customers then shop around, leaving when they spot the next great deal. The result is we have no meaningful relationship with the bank and the bank has no incentive to invest in us as customers. It is a vicious circle. Little wonder that the Norwegian insurance and banking firm Gjensidige found that over 50% of customers lack trust in financial service companies."


Devising strategies for the pricing of your portfolio of services is complex. What you charge is intimately connected to what your portfolio actually offers, what it will offer in the future (your service roadmap) and what the rest of the market is doing.

I don't pretend to have a deep knowledge of how to develop these strategies in detail, but there are some obvious drivers behind front book pricing creation and back book pricing management that I think are worth highlighting, and that explain some of the tensions and difficulties in balancing innovation with clarity.

Firstly, marketing managers working in sales want to create novelty and differentiation in the market in order to create sales, so they devise new offerings, positioning and campaigns that rename services and products, combining elements into new propositions to entice customers to buy. However, the more often they redesign the front book, the more complex it makes the back book. Thus, service innovation is can actually be a headache for any service designers looking to improve the experience for back book customers.

Secondly, there is strong pressure from 'the business' (a mythical money minded part of the organisation that all the other teams always talk about), to maintain margins, and not to give up more profitable customers. This means that customers on back book prices tend not to be able to move to front book prices easily, as there is pressure from the business to get as much money out of customers as possible for as long as possible. This is a strategy that often exploits ignorance and apathy amongst customers, and encourages service designers and managers to treat new and existing customers differently - often, it seems, treating existing, loyal customer worse!

Thirdly, there is confusion about who should take responsibility for existing customers who want to change, manage and upgrade services. Should customer services, or care teams look after them? Or should it be sales groups? This doesn't matter to customers of course, but it does create organisational challenge for the business.

Finally, with a frequently changing front book, there is of course a constant confusion in the mind of customers, new and old, about what is the best service for them. Just thinking about choosing and buying mobile phone contracts, mortgages, broadband and energy services and so on makes me stressed out that I'm not currently rationally maximising myself.

All these challenges, plus a host of issues unique to the client we're working for, have come together in a perfect storm of (exciting) complexity in the project we're working on.

Our challenge - making the back book visible


So, now we get to the really complicated bit from a design point of view! Our challenge on the project I'm working on is to create a web based tool that enables existing customers to manage their service packages and extras, and upgrade and modify their choices. This means creating an interface that links the customers back book package details with the current front book service portfolio and prices.

No mean feat when you think that there's 63 potential front book configurations alone - I currently don't know how many back book configurations there are, but it will be a lot more than 63 if you think that marketing managers change the front book roughly every quarter, introduce several major new products throughout the year, promote seasonal offers and incentives and that the company has been selling these services for over a decade.


Above: Where the action is at the moment

In the past, the company has only really enabled existing customers to upgrade and manage their packages through the call centre for obvious reasons - firstly the call centre agents can act like sales people and try and persuade customers to buy more, secondly the call agents can mask the complexity and simply offer customers bundles, and make suggestions.

Of course, the design strategist in me says, 'just make the whole portfolio much simpler', but of course when you're trying to actually get something done, your realise that it just ain't that simple! There's a lot of vested interest in maintaining the back book (not to mention legal commitments), and marketing managers aren't going to stop coming up with new campaigns, offers, offerings and pricing strategies for the front book.

How will we solve the problem and design something that customers love to use?


I can't go into detail about the solution we're designing (partly because we're designing it right now!), although I should be able to revisit this article and link to the end result in about four months or so. However, I can discuss the approach to designing the solution.

Firstly, we have the classic challenge of having a lot of existing stuff that's already been designed that sets up the expectation that we'll reuse it. We have a 'tactical' release of the new tool, a tool described in the 'vision' programme, an enormous pile of business requirements and an associated tool that's already been designed for another stream on our project that we need to think about from a UI perspective. Thorny!

How to cut through this complexity? Unsurprisingly and rather un-excitingly we're going to use a User Centred Design process (delivered via a project level Agile methodology) that goes back to basics, and starts by figuring out what users actually do at the moment. Fortunately, as most of the processes contained within the tool are currently handled by the call centre we have a wealth of information about what customers are saying and doing.


Above: The design bit

From the insights gathered in the call centre we'll begin to develop some clear, user centred design principles aligned to some clear, realistic use cases to help govern decision making. We'll then start design work to sketch out journeys, scamps and concepts, process flows and so on, all the time working closely with our business analysts and technical architects to make sure our ideas are financially and technically feasible. Once we have the UX nailed the visual designers and developers can really get stuck in (although they'll be involved earlier of course). Standard stuff for anyone who's worked on software development projects - The challenge, as always, is to deliver a solution that actually works, on time.

In the process of doing this I hope to start talking more with the propositions and pricing teams about the current product portfolio and how we can use this project to support move towards a better front and back book relationship over time.

Some ideas to help service marketing get along well with service design


Taking a step back from this specific project, below I've outlined some of the lessons I'm drawing from this project that are relevant for the 'service designers' working on the pricing strategies, product and service roadmaps and marketing campaigns that shape the front and back book of a companies portfolio of propositions.

1. Design great services (and prices)
This seems trite, but the reason that marketing managers have to come up with wacky promotions, discounts and offers that end up creating front and back book headaches is because the services they are selling just aren't that useful, usable or desirable. The best thing that an organisation can do therefore is make sure that they are offering stuff that customers really want. Easy to say of course.

Prices and pricing structures are amongst the most important bits of services to design, but, in terms of the kinds of deliverables that I've seen from service design consultancies, I would say that the thing that is always missing is prices! This is partly because designers don't like numbers, but also because the client doesn't always like to reveal very sensitive information about pricing. But, if prices aren't designed and its left 'up to the business' it risks undoing all the good proposition and service design work as customers end up looking at a confusing front book price list and an even more complex back book.

2. Remember that customers experience and view services as part of a portfolio
Beyond designing great services that customers want, if you are working in an organisation that offers more than one service its really important that new service development occurs at a service and portfolio level - in other words don't conduct innovation in service delivery silos, and make sure there is a clear, portfolio level roadmap in place for your services, as well as individual roadmaps.

Your service portfolio is, to a large extent, how customers will perceive your company as a whole and it represents your story to customers - one that stretches back in time from the current front book offerings to the back book services that they are using. Make sure it makes sense as a journey - at the very least this provides clear upgrade paths for customers, and at the very best it creates a shared sense of forward movement between the brand and the customer. Think of the evolution of the Apple product and service portfolio. There you go.

3. Keep speaking to customers all the time
One of the great things about using a design-led approach to improving services is the very strong focus on users and their requirements as the principle anchor for decision making. Engaging users in innovation efforts at an early stage will, at the very least, ensure that overly complex ideas get culled quickly. There are of course many other benefits to staying close to the customer, but making sure that they are not confused by your portfolio is vital.

4. Keep it simple and focused
Simple and clear is easy to say and very, very hard to do. However, in a complex market like media and communications, simplicity, combined with great services cuts through quickly. In terms of an evolving portfolio of offerings, this of course means having clear principles and sticking to them - very clear service lines, with simple prices and a clear separation (ideally at the price level) between core services and any extras.

The best result for customers in terms of front and back book would, in my opinion, generally be just one price for everyone. In other words, existing customers pay whatever new customers are paying. Simple.

As mentioned above, messing about with prices, reducing them, re-configuring bundles and options and offering incentives like 'first three months free' and so forth and then making a massive fuss about it in advertising campaigns confuses new customers and irritates existing customers so they leave and you have to spend even more money reacquiring them - and it slowly makes your back book more and more complex to manage.

It also has a secondary negative impact on new customers, as provided they have got beyond any initial confusion, they are likely to wait before buying and hold out for the next, better deal.

Finally, the worst thing about complex, offer driven sales strategies and portfolios is of course that they encourage customers to focus on prices - and they build an expectation that prices will always be going down.

5. Build a strong brand to help protect margins and value
Brand is a tricky thing for service designers to engage with - it represents a tangled mess of everything that the company does and is perceived as doing. Thus, a strong brand is built on repeated great products and services (delivered through great innovation and operations), great marketing and great customer support, so saying 'build a strong brand' is like saying 'build a strong company'. It's a bit trite, and kind of what service design is all about too.

However, its worth reflecting on as a strong brand has two clear links to front and back book. Firstly, the more you mess with the front and back book and make changes that confuse the portfolio story or offer price reductions the more you erode the perception of the brand as something for customers to get behind and believe in. The flip side to this is that, the stronger your brand in the minds of customers, the more you can protect margins and prices and reduce the need for front book 'innovation' (i.e special offers, discounts and so on.)

6. Remember that service design is really an organisational challenge, which means you need to keep talking across the business as much as possible and keep sticking to your user centred guns!
This is a nice one to end on. The principle challenge in tidying up the front and back is not in coming up with a fancy framework for customers but in getting everyone that works in the business to agree to a common approach. I'll let you know how it goes!
January 20th, 2010 / Tags: servicedesign, example, servicemarketing / Trackback / Comments

photo.jpg Great bit of service design from Tesco in this bit of direct marketing that came through my letterbox - linking in-store and online elegantly and easily using a loyalty card. Helps customers move online, makes things easy, great graphics too! Simple. Love it.
January 14th, 2010 / Tags: servicedesign, example / Trackback / Comments

Big public service design ideas I'm big excited about right now

A complete blogging meltdown over the past few months. Hectic at work, and busy elsewhere with a range of plans and initiatives, not least the new servicedesigning.org site (I know, I know its not done). Anyway, thought I'd throw up a quick post about some of the big ideas that I've been getting big excited about recently, and that are finding their way into proposals and projectsI'm working on, or want to work on! They might seem a bit disjointed as I've copied bits from various email correspondence.

These ideas are generally bigger than 'service design' or design-led strategy for service organisations, but I hope they're exciting for anyone working on bringing design and design thinking to public sector innovation and reform. So, here they are:

Mutualising and atomising the public sector
Philip Blonds thesis, The Ownership State is one of the most interesting big ideas around at the moment. Read the report here.

Essentially he suggesting that any part of the public sector should be allowed to mutualise. I love the simplicity of the idea, but I'm sure there's an enormous sea of complexity to navigate to get there.

My dad has actually been working with some social workers in Kent to help setup employee owned 'social work practices' along the lines of GP practices, and he told me the biggest hurdle they're currently facing is pensions - just one example of the amazingly tangled, interconnectedness of public sector reform.

Treating public funds as social venture capital funds
Lee Bryant at Headshift has a fantastic idea (or at least he's fantastically eloquent at explaining it) to treat public sector IT budgets as venture capital funds - that is that they should expect a (social) return on investment, invest small amounts and scale up when they see success, and invest in entrepreneurs not companies.

This is in marked contrast to how IT budgets are currently spent, which is generally to contract out huge, highly specified projects to an elite group of very large companies. You can watch him explain it better than me here. (scroll down through the videos)

It seems to me that this model could work way beyond IT and would be a great way to conceptualise the role of the shrunken centre in Blond's ownership state model - Ministers and senior civil servants then become investment managers, responsible for nurturing social entrepreneurs by encouraging innovators to come to them in order to apply for funding. They then get rewarded for growing their investment portfolio, and each portfolio (aka ministry) could have a different investment focus (e.g security, health, etc). This would be in marked contrast to current managerial approaches.

Design as the bridge between innovative ideas and action
Engaging users in service design is hard. Blond says in his pamphlet, 'while engaging service users in new ways has long been considered desirable, it has proven extremely difficult to realise in practice'.

As many readers of this blog know, (many readers, hmm…) my work (and interests) focuses on bringing the tools and practices of designers and design organisations into the context of services.

I've found that many of the approaches used by designers to create new products (in particular interactive products) can be abstracted and easily translated into the context of services - examples include; the idea of user centred design and user research; the focus on the user experience of a design for evaluating success; the emphasis on small multi-disciplinary teams; the focus on turning problems into projects and rewarding/recognising people who work on the toughest projects; the focus on 'building to think' by creating prototypes of solutions and experiences and iterating them with users; and the idea of a 'design process' to guide a journey into the unknown - I could go on (and have done many times before!)

Roger Martin at the Rotman School of Management has a good paper of his that sums up the design thinking movement quite nicely (albeit very sales-y).

Hyperlocal media as a service for users and communities
Finally, I'm getting more and more fascinated by the power of hyperlocal media to connect and empower geographic community groups, and not just communities of practice. It seems to me that a good understanding of the role of media as a service to users (not a broadcast tool for organisations) is going to be vital to connecting together the various bits of the ownership state, connecting those bits into communities, and providing the low cost channels for service users to assert their ownership of the new public sector.

My local blog - 'Brockley Central' - is a great resource and hub for local people to raise issues, discuss local projects and initiatives and connect with other people in the community. I love it.

William Perrin is setting up a social enterprise funded by 4iP called 'talk about local' that is trying to connect together policy and people in this area. There's a good overview on his website (second video down)

So, they're the big ideas I'm big excited about, lots of other people are too, and I'm looking forward to 2010 when we can start smashing them together through projects and events! If you have any other big ideas that I should be big excited about, please tweet or put some links in the comments.
December 2nd, 2009 / Tags: servicedesign, designthinking, publicservices / Trackback / Comments

screen-shot-2009-11-25-at-190323.png Service Design Thinks 1 videos are now available online. Go check them out!
November 25th, 2009 / Trackback / Comments

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